I saw two sides of BreezyLYN in the same week. At Aweng Chol’s birthday party, she moved quietly posted up in the corner, soft-spoken, almost shy. There was a stillness to her, like someone deep in thought, watching the room more than trying to be seen in it. But just a few nights later, at the MEFeater Fashion Girl Summit, she was something else entirely.
When Breezy hit the stage to perform her debut hit “Bad Bitches,” the entire energy shifted. Suddenly, all eyes were on her. She was bold, locked in, completely in her element like she’d flipped a switch and stepped into her power without hesitation. It wasn’t just a performance; it was a statement.
That contrast quiet observer one moment and commanding force the next is the pulse of Earth to Breezy, her first project since going independent. It’s a world of her own making, shaped by self-belief, solitude, and the choice to keep going when it would’ve been easier to fade out. You can try to reach her, but she’s already light-years ahead.
Earth to Breezy. Are you listening now?
“You can’t give up on yourself and what you have the potential to be.”
Peter Vandunk: You just dropped Earth to Breezy, your first project since going independent. What was going through your head the moment you realized, “I’m doing this on my own now”?
BreezyLYN: To be honest before reaching that point I was discouraged. I just had officially cut ties with people I thought I could grow with. I got back in the studio and just told myself it’s go-time. You can’t give up on yourself and what you have the potential to be. But thanks to my mom and my new team they kept me grounded and pushed me.
PV: The title alone, Earth to Breezy feels like a whole different world. What does that space represent for you, especially after everything you’ve been through in the industry?
BreezyLYN: Earth to Breezy just represents me in my own world, my own lane, you know? In this industry—and even in real life—you have so many people who talk about you for attention, whether it’s good or bad. Sometimes you have to kill the noise and lock in, and for me, this is what that looks like. So it’s like, “Hello? Earth to Breezy!” But I’m so locked in, I can’t and don’t want to hear you. This is my world!
“Real, raw, and still sexy.” – BreezyLYN
PV: Your performance at the MEFeater Magazine Fashion Girl Summit during NYFW was such a moment. What was it like performing in that space, surrounded by all that style, energy, and celebration of Black women?
BreezyLYN: Performing at the MEFeater show was definitely a big moment for me, career-wise. I received so much love. Everyone was so engaged while I was performing. it felt incredible.
PV: Walking away from a label like 300 Entertainment couldn’t have been easy. What was the hardest part of that transition, and what was the most liberating?
BreezyLYN: The hardest part was not knowing I had to walk away and let go. I was kind of blindsided and I didn’t find out until much later after everyone else knew basically. I was in the dark about everything but you know, everything happens for a reason and I’m not mad at the outcome at all. It helped to build character for me as an artist.
PV: You’ve always carried Brooklyn with you, but being from Marcy adds another layer. How do you see your roots showing up in the music you’re making now?
BreezyLYN: I see my roots from the way that I talk to the way that I rap, and express myself. Real, raw, and still sexy. It’s the Brooklyn in me.
PV: Your last project, Hood Mona Lisa, painted a picture of who you were then. If that was your past self on canvas, what kind of portrait are you painting now with this new tape?
BreezyLYN: Although I’m still the Hood Mona Lisa, the portrait I’m painting now with my new tape is me in my own lane, with no distractions, just discipline. I feel like this tape will paint “Hood Mona Lisa” the way she is.
PV: You’ve worked with artists like Kaliii, Tink, and Lola Brooke. What have those sisterhood moments in music done for your growth as both an artist and a woman?
BreezyLYN: Those sisterhood moments make me feel comfortable to be expressive. We are all women who go through the same things and it feels good to be able to know that other women share similarities and can speak on them.
PV: “Bad Bitches” was a major moment! Do you feel like that song sets the tone for your sound or are you just getting started showing us who Breezy really is?
“go for it and truly believe in yourself.” – BreezyLYN
BreezyLYN: The debut of “Bad Bitches” was so iconic, but I feel like there’s so much more to show the world. Y’all gonna see very soon.
PV: Now that you’re calling all the shots, what does freedom in your career actually look and feel like?
BreezyLYN: Everything feels like a breath of fresh air honestly. I’m at a space in life where everything is happening just how it should.
PV: If there’s a young girl in Marcy right now listening to Earth to Breezy, what’s the one thing you hope she hears in your music?
BreezyLYN: I hope she hears that I can relate to her and that you could do whatever you want you just gotta go for it and truly believe in yourself.
BreezyLYN isn’t waiting for the industry to catch up. She’s already in motion, already building her own universe. Earth to Breezy isn’t just a mixtape, it’s a signal flare: raw, confident, and fully self-defined. She’s tuned out the noise, cut the dead weight, and locked into something real. You can try to reach her, but she’s not slowing down. Catch her now or get left behind.
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